Early Christianity – Faith Unto Ages

‘I am a Christian!’ — St. Euplius the Deacon, Preacher, and Martyr: A Witness of Steadfastness Against Idolatry and Heresy.

Some may be unaware of the vitalizing story of the early Christian martyr St. Euplius (304 A.D.). Tradition is silent about his early life, age, and background. Yet, we know that he was of a mature age since the Acts of Euplius testify to him as being both a ‘man’ and a Deacon (1) within Catalina, Sicily during the time of Diocletian. He was a bold preacher, evangelist, and firm defender of truth against false religion and idolatry; always keeping the four gospels on his person. This is what cost him his earthly life; but attainment of eternal glory.

The Oxford Classic ‘The Acts of the Christian Martyrs’ explains that there are two recensions to his story: one Greek (GR) and the other Latin (LR). Both editions complement one another; as they provide details and clues which lack in the other. The examples are many; which will not be covered in its entirety in this article.

Both versions are silent in respect to his life prior to his martyrdom; but instead immediately describe the epoch in which he openly detested Diocletian’s regime and abominable edict – that by the threat of death all should worship the idols of the state. Historical complications arise given that both versions disagree in respect to when he began challenging the governor Calvisianus outside of his council – chamber (2). Nevertheless, both agree that he willed to suffer and die for Christ.

Unceasing Prayer through the Spirit and its Fruit: A Homily of St. Macarius the Great

That we need a great zeal for prayer, and that the Spirit who dwells in our spirits brings it about, is clearly shown by the words of the Apostle, who exhorts us: “Pray all the time, asking for what you need, praying in the Spirit on every possible occasion”(Eph 6:18).

Whoever of the brothers dedicates himself to this, namely, unceasing prayer, possesses a beautiful treasure, which becomes the greatest possession of one who loves God with a firm and right conscience.” He never willingly strays away into distractions, nor does he have an unwonted debt that needs paying; but rather he fulfillsthe love and desires of his spirit, displaying to all the brothers the good fruits that come from perseverance.

It is necessary, however, that the others in the community also make time for such unceasing prayer and rejoice in persevering in prayer so that they become sharers of such a life. The Lord himself will surely give to those who ask how they must pray, according to what is said: “He gives to him what he has asked for” (Ps 106:15). Therefore, we ought to ask and to know that the better one makes an effort in the work of prayer, the more he must sustain the battle with great care and all virtue.
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Forgotten Diaconal Functions of the Alexandrian Tradition

In Orthodoxy, the Divine Liturgy is regarded as being Heaven on Earth. This is because Jesus Christ, truly and actuality, becomes present on the Altar in the Sacrament of the Holy Eucharist.

“When we see the Lord as a sacrifice placed on the altar, the priest praying over the sacrifice, and the congregation being cleansed by the precious blood, can you say that you are still standing with men on earth? … Did you not ascend directly to heaven?”

— St. John Chrysostom, Homilies on Ephesians 3.

Because of this, the various Liturgical Families of the Orthodox Church (Armenian, Coptic, Syriac, Tewahedo, etc.) use symbols in various forms to direct our attention to this mystical reality. Hence, the use of incense, candles, iconography, vestments, chanting, and the like to capture our senses.

An ancient custom from the 1st – 4th century that was preserved amongst our sister churches the Armenians, Syrians, and Jacobites that we lost within the Coptic and Tewahedo tradition is the use of the Ripidion in the Altar (Though some Coptic Churches do process with them and currently use either a lefafa or a small flag as their substitute). The Ripidion is a liturgical fan usually made of metal and decorated with an image of the seraphim or cherubim to symbolize their presence since, again, Jesus is truly present in the Holy Eucharist on the altar. In some traditions, such as the Armenian, Syrian, and Malankara; small bells encircle the fan and are manipulated to swiftly ring during certain portions of the liturgy to symbolize the sound of the wings of the said heavenly beings (Ez 1:24).